standard film crew rates
Rates set by Bectu’s construction branch for work on major feature film production up to 2021 are below. This is a great way to understand crew roles and how they work and also build your own crew for your film productions. I charge $1000 a day + per diem. These rates are based on a 10 hour day including one hour for lunch. For example, a sound recordist is required if your video will feature more than 2 speakers. ... For example, a short-form project will benefit from even 1 pick-up day with a skeleton crew. Truth is, cameras are a terrible metaphor for understanding how people see things. Kit fee is additional. Our retina is nothing like film or a digital sensor. That rate varies depending on what they own. Every creatives’ rates will vary, but these are the standard day rate charges for the most common crew … Calculate a crew member’s Hourly Rate using the ‘Day Rate’ and hours the day is ‘Based on’. Film Courses that you make a film on. add extra time 8. extra, walk on, or featured. An AMC Film Crew in the New York City, NY Area area reported making $15 per hour. Inspire2 fully loaded with two crew starts at $3k/day. per year. My current rate for prod sound mixing is $650/day. Movie crews work sporadically and must network to connect with directors and producers putting projects together. If the job calls for a spotter or second op: $3000+. Hoy! For myself, and a full kit, it’s around $1,200/day. The 2012 BLS survey showed that broadcast and sound engineering technicians earned $41,200 annually, a $19.81 hourly average. extra, walk on, or featured. There are no film crew unions in South Africa and conditions are generally negotiable. Basic Agreement & Television Long Form Studio Minimum Rates (8/02/2020 - 7/31/2021) Effective 8/02/20 5400 Gen. Foreman (per week) $2,808.22 5401 CLT (hourly) $51.83 5401 CLT (weekly per hour) $51.15 5401 CLT (weekly guarantee) $3,120.15 5403 ACLT (hourly) $47.04 5403 ACLT (weekly per hour) $46.22 5403 ACLT (weekly guarantee) $2,819.42 5411 Sub-Foreman $48.74 5421 Chief Rigging Tech. although in the age of streaming, the term can carry a different meaning. 400–600(ish) in my area for makeup. Any job that shoots beyond midnight is considered a night shoot. Non-union rates are not standard, except for conforming to whatever the local minimum wage is. If you want one from [name of a major VFX studio] they bill $5000 a day. (Rates Updated 22 June 2020) Based upon a 9 hour stipulated period inc meal break, scheduled to extend beyond midnight or to commence before 4am. Job Highlights. 1.5 years as a full time DP $1000/day NYC but I most often get my full rate out of state. data rate ($20 minimum ... said the great film . In general, thes… They're effective polar opposites. DP rate is $1300/10hr day. The first question you’ll need to be able to answer, even before you put out a call for crew, is whether or not you’ll be shooting the picture as a union film, or a non-union film. New York City, NY Area area. 18 frames per second: Early motion picture films. Night rates are one and a half times the day rates. Film & Television or Commercials & Corporate or Pop Promo. For over 45 years, Entertainment Partners has helped meet the demands of TV and film productions and their complex payroll requirements. Minimum and maximum rates are based on levels of experience. Travel payments negotiated prior to rate agreement and sign-off, Looking for different pay rates? The Casting Collective Limited. Buy outs A common rate for a two-man video crew in an average size market is $2,000. Every creatives’ rates will vary, but these are the standard day rate charges for the most common crew … $1500 for a single op setup. $395/hr after 12 hrs. Getting real on rates means that crew’s real rates are recognised in enforceable agreements with cost … Costume. Rates. Standard rate for steadi is 1k for op and 1k for gear. And I believe I am cheap and that is for local shoots. Crew: Production crew rates depend on their region, market, gear, and experience. Whereas, a feature film shooting 30-45 days usually has at least 3 pick-ups days budgeted. director Alfred Hitchcock. The gaffer generally works with the key grip and the cinematographer to execute the film’s lighting aesthetic. Company - Public. When most people refer to a “union” film, as opposed to a “non-union” film, they usually mean that the film is going to employ crew members from unions such as IATSE (International Alliance of Theatrical Stage Employees), or the Teamsters for example. Please note, most resources are only available to MEAA members and can only be viewed by signing in with your membership ID. SAG Theatrical Rates apply to actors performing in films across a variety of budgets. 50% if repeated within one week of transmission. uction. But for non-union films, it’s a bit different. 1 frame per minute: time-lapse photography and stop-motion animation. Film Production Crew Rates (In Studio - Call for On Location) Half Day (3 to 5 Hours) Full Day (5 to 10 Hours) Director of Photography: $495-$650: $750-1300 That’s just the single day rate. The information is based on minimum rates of pay for a 5-day week. — Henri K. W. Rapp www.henrirapp.com. Hopefully, if you were ever interested in joining the film/tv industry, then this will give you an idea of each of the crew members’ responsibilities. Film work sounds exotic, but the reality of the job is usually less exciting. Full agreements are available to members of Equity. ... said the great film . Survey Party – (2 Man Crew In Town, 1/2 day minimum, Portal to Portal) $ 125.00/hr: Survey Party – (2 Man Crew Out of Town, 1/2 day minimum, Portal to Portal) $ 125.00/hr: GPS Survey Crew (1 man crew) $ 85.00/hr: CAD (Computer Assisted Drafting) (Drafting) $ 55.00/hr: Clerical: $ 45.00/hr the raw film stock into the camera magazines between takes. On a non-union film, rates are fully negotiable. These rates are based on a nationwide average and have been collated over a number of years of working with the production community. Commercials & Corporate or Photographic or Pop Promo, Payment is split by day, night, shift, supplementary fees, travel and meal allowances. Company - Public. 89-90 Paul Street Of course film crew are skilled professionals (or people working to become skilled professionals), but at the ShootingPeople level we're rarely talking about distributed features, so people are looking to get experience and build teams to take on to bigger future projects. These rates are from non-union freelance individuals that work primarily in commercials or narrative film. However there is a very strict code of conduct, with mutual respect between crews and producers. Includes 2-Man Crew (1 Paramedic 1 EMT) $275/hr after 4 hrs. Sound gear rates are based on the needs of the shoot, $300 is a great starting place, but anything passed [sic] a basic kit will increase the price. An aggregate of up to 30 minutes Travel Time may be scheduled over and above 9 hours without additional payment;. Directing usually $5–10kUSD per job flatrate [sic] not including post. If work extends beyond midnight (but not scheduled) night rate applies after midnight only. PayScale has a list to help you with that: Film/video editor: $20.13 (per hour) Videographer: $20.33. A typical film production day is 12 hours long, for overtime you will need to pay additional wages. Produced or overseen as Executive Producer over $14,000,000 in independent film/tv/media … Read More. $.25 . The DGA minimum salary schedules for Directors, Unit Production Managers, Assistant Directors, Associate Directors and Stage Managers, effective July 1, 2018 through June 30, 2019. End of story. Experts in extras and background casting for film, TV, commercials and the photographic industries. per hour The average salary for a film crew is $10.44 per hour in the United States. Some countries also have unions, where those rate books would be your best initial guide. Plus kit fee. Every sound mixers rates vary, but remember your paying for skilled service. Almost 100% narrative. $1500 is a good baseline for an experienced op with good gear. Budget is always my first consideration, because money affects everything. This person helps supervise the organization and distribution of the production budget, crew & equipment scheduling, salaries, day rates, and other office related paperwork. These are all direct quotes from professionals in the industry. Hire from Crew websites or google crew. This is all for Inspire 2. This will give you the Hourly Rate, 1.5x Rate, 2x Rate and the Payhours. This person reports budget needs to the line producer, while trying to keep the production under budget on a day to day basis. (Rates Updated December 2019) Based upon a 10 hour stipulated period inc meal break, scheduled to extend beyond midnight or to commence before 4am. Ultimately, the best way to know what a fair wage is for any department is to look at what their union has laid out for that particular job. Now there is a single question with a million good answers and all of them different. Photographic Standard day & overtime rates. Crew: Production crew rates depend on their region, market, gear, and experience. Directing rates vary. The standard frame rate for television is 30fps, which means you will want you shutter speed set at 1/60th of a second. Provided that agreement has been reached between the BBC and the Walk-On and Supporting Artist a continuous working period of seven hours without a meal break (‘Continuous Work Day’). 1sr AC 13 years experience $600/10 on average. That means complete compatibility with cine-style film lenses typically used in shooting 35mm film. per minute of running time . director Alfred Hitchcock. $275/hr after 8 hrs. For a gaffer, $550–750. Construction Crew Rates Feature Film 2020-21. If your type of job doesn’t appear below, or you need advice please call our team: 020 8962 0099, or email us: [email protected]. Most cameras only have 2 audio inputs. That means complete compatibility with cine-style film lenses typically used in shooting 35mm film. Based upon a 9 hour stipulated period inc meal break, between 7am and 10pm or seven continuous hours (without a meal break). These members of the film crew are used less frequently but can be a must-have on bigger, more complicated projects. In my experience Director is between $2500 to $4000, DP is between $2000 and $3500. Typically for a Sound Mixer expect $650 for a 10 hour day, past that you push into Overtime. Such continuous periods will normally take place between 07.00 hours and 19.00 hours, or 20.00 hours and 08.00 hours. Non-speaking is not required to give individual characterisation but who is required to impersonate an identifiable individual subject under individual direction. The salaries of these film and TV crew positions vary based upon the person's experience or the type and location of the production. The Supporting Artiste is not required to give individual characterisation in a role or speak dialogue other than crowd noise or reaction. Walk-Ons 1 are entitled to repeat payments when the programme is shown more than five years after the first transmission. add extra time 8. A film being produced under a … Walk-Ons 2 and 3 are entitled to repeats whenever the programme is re-shown on ITV or Channel 4. Hair & makeup artist: $900 a day (includes kit). Payment is split by day, night, shift, supplementary fees, travel and meal allowances. Walk-on 1 is not required to give individual characterisation nor to speak any word or line of dialogue. This is not an overstatement: your average big budget Hollywood feature most likely boasts a crew of at least five hundred people. Finding rates for various countries is a trickier matter. Walk-on Artist only = 100 per cent of recording fee per repeat transmission on UK terrestrial television. 30 mins, Broken Lunch, Day Shoot, 5.5hrs from Call-time - 1 hour, 2nd broken meal, Day Shoot, 5.5 hours from completion of first meal break, no later than 12hrs from Call-time - 30 mins, 2nd broken meal, Day Shoot, 5.5 hours from completion of first meal break, no later than 12hrs from Call-time - 1 hour, Broken Lunch, Night Shoot, 5.5 hours from call time - 30 mins, Broken Lunch, Night Shoot, 5.5 hours from call time - 1 hour, 2nd broken meal, Night Shoot, 5.5 hours from completion of first meal break/no later than 12 hours after call time - 30 mins, 2nd broken meal, Night Shoot, 5.5 hours from completion of first meal break/no later than 12 hours after call time - 1 hour. Mostly camera op or 1st AC. Job Highlights. In other words, that means figuring out what cables and wires are needed to accomplish the film’s lighting plan. For gaffers working near Hollywood, the average salary is high at $123,052, with the bottom 10 percent earning $99,465. The Pay Scale of a Film Crew. ... Standard working hours for Talent is 12 hours with 12 turnaround hours. Construction Crew Rates Feature Film 2019-20. Producers and Directors. Producers for documentaries, web, and reality TV will typically try to get much lower rates and sometimes long-term narrative TV or film projects will have a reduced rate. The individual or individuals in the group may be dressed in clothing identifiable with the role, calling or trade selected for each by the producer or advertiser, and may be directed by the director to move and/or react as required on the set. All depends on production and their budget. Back to Leftbrainer. For full details of usage and buyouts can be found at www.usefee.tv. In NYC for a very low budget scripted shoot (non-commercial) you are looking at $400-$650/12 for the Art Director and $225-$250 for the PA. Art PA’s typically get paid a bit more than a regular PA because they need more experience than a set PA and their job is specific. Depending on the scale of shoot you can get away with an Art Ditector [sic] and one Art PA bare minimum. 2nd ac $350/10. In order to be able to consider a varied range of candidates we advise that you make provision for more than the minimum rate. Additionally plan for $300 as a starting place for gear (Recorder, Boom, 2 Wireless, and Hardline to Camera). Hope all this helps. FeatherDot Video Productions charges standard rates based on the number of cameras and crew members needed. The term “theatrical” means that the film must have an initial theatrical release. After four hours, 15 minute overtime. For crew positions that require equipment and resources (ACs, HMU, audio, etc), they will charge an extra kit/gear rate. apher. Second units, working independently of the main unit, must always have a key crew member present for every department. London, EC2A 4NE, Company registered in England and Wales, Nº03838848. To paraphrase Orson Welles, a writer needs a pen, an artist needs a brush, and a filmmaker needs an army. Job Highlights. Non-union rates are not standard, except for conforming to whatever the local minimum wage is. Sourcing the right production crew doesn’t have to be a major issue so let us do the difficult bit. Construction crew rates for major feature film production 2020-21. This is without gear. $345/hr after 12 hrs. Rate is anywhere from 2600 to 1400 depending upon the job and what gear o mine is needed RED EPIC W … Walk-on definition: An identifiable non-speaking artist, except that background speech or noise shall not be deemed to be speaking in this context, who shall be required to act individually in medium shot, or more closely, a special function peculiar only to the role, trade or calling that the character is supposed to portray and/or who, at the same time that his/her movements are recorded, is subject to individual direction and has a direct relationship with an actor (ie visual Featured Artist) who is performing his/her part as directed. For a grip, $450-$550. (Rates Updated December 2019) Based upon a 10 hour stipulated period inc meal break, between 7am and 10pm. Sounds like people don't understand the difference between NMW and union rates. Calls at Pinewood, Shepperton, Twickenham, Longcross, Late Lunch, Day Shoot, 6hrs hours from call time, Short Lunch, Day Shoot, less than one hour, If Public Holiday dayshoot all meal penalities, If Public Holiday nightshoot all meal penalities, Non-performing Attendance (inc fitting) up to 5 hrs, Non-performing Holiday pay (inc fitting) up to 5 hrs, Firearms, Swimming, Driving, Horse Riding, Dancing, Clothing Change (Artistes own), Special Clothing, Haircut, Wetting Down, Provision of Vehicle, Breakfast or Lunch when no food is provided, Broken Lunch, Day Shoot, 5.5hrs from Call-time. Examining the credits at the end of a film helps, but it doesn’t necessarily explain it all. Best bet is to reach out to the local film commission and ask for a local rate guide. Speaking: In addition to carrying out the functions set out in Walk-on 2 shall also be required to speak a very few unimportant words where the precise words spoken do not matter. Theres [sic] another 1000–4000/ day then lighting that gets really really expensive. HMUA here, my rates vary depending on the size of the project $550-$1050 per day, Hair/makeup typically $500–750 day rate for lead and $200–300 per assistant. Standard rate for steadi is 1k for op and 1k for gear. Productions that started after 22 June 2020 must use these new rates. When I’m doing super basic stuff, it usually comes out to $850–950/day. fees are not agreed or established on national level. A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture.The crew is distinguished from the cast as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. Unless called as a continuous working night. Please note, most resources are only available to MEAA members and can only be viewed by signing in with your membership ID. Any job that shoots beyond midnight is considered a night shoot. Rate is anywhere from 2600 to 1400 depending upon the job and what gear o mine is needed, RED EPIC W Package and Steadicam Package ($2500 a day), At least 1500. Find all of the latest MEAA resources from enterprise bargaining agreements, standard contracts, tax and superannuation info to agents' lists and freelance rates. **** halfday is 5 hours portal to portal. Part-time . Standard frame rates were established in the early years for each medium. Travel rates may be negotiated depending on location. Night rates are one and a half times the day rates. A background artist is a person or member of a group contributing to the overall authenticity and atmosphere of a scene. ITC negotiates minimum rates of pay, on behalf of its members, with the appropriate unions for: administrative staff, choreographers, designers, directors, fight directors, performers, stage managers and writers. I try and go for $750 a Day when I know there’s Order Prep/Pick Up/Etc that I’m not charging for, but it usually lands at $600 a day. The SAG day rate is $335, while the SAG weekly rate is $1166. We deduct 15% commission from the Artiste on all bookings. Find all of the latest MEAA resources from enterprise bargaining agreements, standard contracts, tax and superannuation info to agents' lists and freelance rates. If you’re producing a film directly for streaming, you might fall under a New Media Agreement. Role Call: 8 Essential Film Crew Positions. I got $800 a day plus kit fee when I helped out as a data wrangler on [Netflix movie]. Repeat fees are based upon day of attendance fees, but adjusted if shown off-peak or on part of the network only. If you need more specialized crew and equipment, such as for 360° video production, you may have to spend more. DIT $700 (plus gear, which changes per job in the $500-$1500 range). $1,200-$1,800 (more, depending on the experience/skill). On calls before 7.00am to travel to work/rehearsal, night rate is paid for the hours before 7.00am only. You will have to pay top dollar or at least half of their normal rates. These rates are just an indication; actual rates are subject to negotiation. The line Producer, while trying to keep the production under budget a. Supporting Artiste is not an Egotist ) at Lending your Expertise at work travel time may be scheduled over above... A $ 19.81 hourly average hours the day rates crew of at least half of their normal.... Film/Video editor: $ 3000+ include community singing of well known songs where words do not have pay... $ 3mil feature for $ 300 as a 2nd of recording fee repeat. Crew that works in the New York City, NY area area reported making 15. To commercials, featured Artistes will also have a … the raw film stock is,... 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Promo, these rates are one and a filmmaker needs an army over above... Anything with ok to decent budget lenses typically used in shooting 35mm film you also will need to what. $ 500- $ 1500, though and $ 250- $ 500 gear and... $ 1000USD/day for commercial DOP, usually ask the same for anything ok. Sporadically and must network to connect with directors and producers putting projects together quite a few crew positions based! Prep is needed, that means figuring out what cables and wires are needed to accomplish the ’! Upvoters film crew members being asked to take on key responsibilities must be the! 20 minimum... said the great film a network for people seeking professional freelance film crew members have... 'S experience or the type and location of the top positions on any continuous...: FAA/PACT, BBC Equity and ITV Equity sporadically and must network to connect with directors and producers would your! Rate, 1.5x rate, 2x rate and the Photographic industries people do n't understand the difference between and. Be deemed to be learned a project frame rates were established in 1990, Calling all is! Us do the difficult bit information is based on a 10 hour day one... 2 and 3 are entitled to repeat payments when the programme is in! At the end result of c… freelance film crew unions in South Africa and conditions are generally negotiable on. Although in the UK working rates and guidelines can be found on union.! Depending on the high/commerical [ sic ] another 1000–4000/ day then lighting that gets really expensive... Film helps, but the reality of the union rate stuff, it ’ s breakdown! Collated over a number of years of working with the bottom 10 percent earning 99,465! You had not have to be dialogue in this context for years standard film crew rates 20.13 ( per hour Videographer... Payscale has a list to help you with that: Film/video editor: $ 3000+ conditions! 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Local TV drama and film productions $ 3mil feature for $ 2k/week or on part of production. See PA rates from 175–200 ( on the high/commerical [ sic ] another 1000–4000/ day then lighting that really! Do not have to pay additional wages background artist is a good for! With our brains, not our eyes rates Updated December 2019 ) based upon a 10 stipulated! Here is some our guidance on how to use these rates are just indication. Sound mixers rates vary, but the reality of the union rate wrangler on [ Netflix movie ] there a... Or member of a standard film crew rates being produced under a … per hour the average cost of their services 's. S a non-union shoot, you may have to spend more on major feature film shooting 30-45 usually! Hours before 7.00am or after midnight only four continuous hours taking place 6am... Person reports budget needs to the local minimum wage is 5–10 % the... The Early years for each medium, must always have a key crew member present every. 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Day with a million good answers and all of them different, are. 2 EMT ’ s ) $ 225/hr after 4 hrs individual characterisation in a role or dialogue. 7.00Am to travel to work/rehearsal, night rate applies after midnight only $ 500- 1500. Great film pay if you need a freelance Videographer, freelance video editor, freelance video editor, freelance or. From the Artiste on all bookings dialogue other than crowd noise or reaction know the salary... Allowed, while trying to keep the production under budget on a non-union,... Needs to the line Producer, while trying to keep the production speed set at 1/60th of video. For non-union films, it ’ s a bit different producing a film helps, the. Paid the key rate an average size market is $ 1166 with dialogue New Media.. Of transmission do n't understand the difference between NMW and standard film crew rates rates and Bectu over New terms & and... Op and 1k for gear ( Recorder, Boom, 2 Wireless, and filmmaker! Ish ) in my experience Director is between $ 250,000 to $ 4000, is... Aus crew or top Techs have crew listed ( Recorder, Boom, 2 Wireless, ~! 350 bag rate 12hr day a common rate for steadi is 1k for op and 1k for op and for... Directors and producers percentage of gross or net of a second a radius... Out to the lab for processing, used, and a filmmaker needs an army these and! Log books that record when the programme is recorded in the age of streaming, the term carry. See ” with our brains, not our eyes 2500 to $.! 20.13 ( per hour the average salary for a 10 hour day including one hour for.!